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Working through your million words
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BrennanHarvey
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PostPosted: Mon Apr 20, 2009 2:25 pm    Post subject: Working through your million words Reply with quote

I recently attended a Southern California Writers Association meeting where the speaker, Dave Cunningham, spoke about "The Nuts and Bolts of Good Writing." Something he said reminded me of something that was said here.

Brad R. Torgersen wrote:
They say you need [to write] a million words before you become publishable.

This speaker said something to the effect that every writer starts off writing about themselves--autobiographical. Further, he suggested a new author write fifty short stories to purge themselves of their autobiographal phase. That's somewhere around 250,000 - 375,000 words (figuring 5K to 7.5K words per story.)

I'm curious: What else--besides building craft--do you all suspect you are going through when you grind through those first million words?
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Brad R. Torgersen



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PostPosted: Mon Apr 20, 2009 2:29 pm    Post subject: Reply with quote

When I look at a lot of my early stories, I see loads of action taking place, but not much in the way of authentic characterization. I also see too many infodumps and too many stories that are "first chapter" stories; ergo, they just get started, when they end.

This is on top of the usual beginners' stuff: honing grammar, eliminating bad habits, etc.

Which is not to say I've 'made it' yet! Whooboy no way. Talk to me again in ten more years. But at least I've gotten to the point that WOTF and Baen's consider me "entry" professional level.

I imagine the next million words will be spent getting from "entry" to "working" professional level.
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Alastair



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PostPosted: Mon Apr 20, 2009 3:25 pm    Post subject: Reply with quote

Building craft is a big part of it, of course. You're also reprogramming your brain into a more writerly mode (although you could argue that that's part of craft).

One thing I noticed doing NaNoWriMo is that the ideas and the "good stuff" comes easier once you've got the crud out of the way, even writing each day. I likened it to a squeeze bottle of mustard -- you've got to get the dried-up crud out before the good stuff will flow. So if I didn't already have a next scene in mind for the day's writing, I'd just start writing anything (some of it pretty bad, or silly, or otherwise unusable) to get that out of the way and pretty soon the good stuff (well, better stuff, anyway) would start flowing.

Some of that dried crud is the autobiographical stuff mentioned above, some of it may be unoriginal ideas or hackneyed phrasing.

I've been participating in online forums for 25 years. Pournelle and others have said that you need to write fiction for it to count towards the "million words of crap" that beginning writers need to get out of their system, so all those posts may not count to that, but I'm sure some of it counts toward purging the autobiographical stuff.

Somebody else (Orson Scott Card?) said that some beginning writers might have bursts of 10,000 or even 100,000 words of good stuff mixed in with the crud in that first million, but others have to go the full million.
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EmeryH



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PostPosted: Mon Apr 20, 2009 3:41 pm    Post subject: Reply with quote

What is meant by autobiographical? Isn't all writing based on the writer's own perspective on life?
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Prisoner



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PostPosted: Mon Apr 20, 2009 3:43 pm    Post subject: Reply with quote

I sold the first story I ever submitted. Not before it got a half-dozen rejects, but it was still sold. What does that make me?

Beginner's luck? Since then I've gone backward. No, not entirely. Just trying for tougher markets.

I think the first writing being used to get the self-indulgence out of your system is fine, but the adage applies to younger people, I think. I'm not going to automatically pre-reject every early inspiration I have just because Orson Scott Card said it is too early to be good. Writing is highly individualistic.

Walt Whitman had only one book, essentially. He kept appending and revising Leaves of Grass until his deathbed. Guess he's no good, eh?

I'm an anomaly. Starting in my 50s as a lark, yeah, I'm a confirmed wierdo. Lovin' it though.

To thine own self be true.

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JRTomlin



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PostPosted: Mon Apr 20, 2009 4:00 pm    Post subject: Reply with quote

I'm not sure about the million word thing. I think it's often true. On the other hand, I also sold the first short story I ever wrote outside of a classroom (and I don't consider those to count).

I'm probably at the half million mark for fiction. Way above that for non-fiction. But I'm not sure that serious, crafted non-fiction shouldn't count.

And I'm not sure part of that million isn't just pestering agents and editors until they decide you're not going to go away, so they go ahead and take you on. That is only partially kidding, too.

My first stories weren't particularly autobiographical. They were really short on characterization though. I thought description was for sissies. Guess it just depends on what the individual needs to learn.
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Prisoner



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PostPosted: Mon Apr 20, 2009 5:27 pm    Post subject: Reply with quote

Quote:
I'm not sure part of that million isn't just pestering agents and editors until they decide you're not going to go away, so they go ahead and take you on.


My suspicion too. Anonymous markets like WOTF the exception, anyone who sees your name for the tenth time is going to unconsciously think that you're more established than a complete unknown, unless you've distinguished yourself only for being a crackpot.

I started my own business 15 years ago. I pounded the pavement for 15 months and was about to give up. The orders started rolling in at the 18th month. The customers had the confidence I wasn't going away. Your mileage may vary.

While editors imagine that they always recognize talent, I think they're swayed by names more than they're aware of. It is a well known marketing effect that a Budweiser will taste better than Fred's beer, when so labelled, even if Budweiser is in both cans.

So, all we gotta do is become the flavor of the month, some month in which we're still above ground.

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Alastair



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PostPosted: Mon Apr 20, 2009 11:43 pm    Post subject: Reply with quote

Prisoner wrote:

While editors imagine that they always recognize talent, I think they're swayed by names more than they're aware of. It is a well known marketing effect that a Budweiser will taste better than Fred's beer, when so labelled, even if Budweiser is in both cans.


There's some truth to that. In an editors' panel at the last Worldcon, it was mentioned that frequent submitters' names get remembered, and attention is paid to their progress as writers. Editors talk among themselves, at some point there may even be some competition to see who gets to publish this potentially hot new writer first. But the quality has to be there.

I can't imagine Budweiser tasting better than anything. Wink

And of course, at WOTF your name isn't going to have any influence at all.
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JRTomlin



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PostPosted: Mon Apr 20, 2009 11:56 pm    Post subject: Reply with quote

There's a rather old joke. Bill Coors of Coors Beer, August Busch of Budweiser, and Shaun Holliday of Guinness were in Dublin for the big beer convention. Afterward they met at a pub for a drink. The barman asked what they wanted.

Coors said, "A Coors."

Busch said, "I'll have a Bud."

Holliday said, "I'll have a Coke."

"What? You're not having a beer?" the other men exclaimed.

"Well, if you're not having beer, then I'm won't," he replied.

Laughing
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Prisoner



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PostPosted: Tue Apr 21, 2009 12:17 am    Post subject: Reply with quote

At risk of thread drift, I can't resist some elaboration on this effect. I'll have to disclose to you that I have an MBA with a marketing concentration, but try to view me as a human being.

Beer, aspirin-based headache remedies and very few other consumer items were of particular interest to market researchers, because they are marketing creations. In blind taste tests people cannot distinguish among the major lagers. Most think they can, but that is marketing hypnosis.

We did it ourselves with other students. We poured it in the kitchen, everyone tasted and rated. Then we poured a local product against a national brand in front of them so they could see the labels, and people believed the label over their taste buds, even though at the time they remarked that they were on to us and our little game. The statistics were very clear. Big Jump, low R-squared.

In the book about not getting your manuscript rejected, The First Five Pages remarked that a tester sent a MSS through with the author's name changed that had won the national book award years ago. It got form rejects everywhere.

I know of no other way to make it in Asimov's, F&SF, etc., than to submit often. A WOTF win wouldn't hurt either.

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BrennanHarvey
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PostPosted: Tue Apr 21, 2009 7:42 am    Post subject: Reply with quote

Alastair wrote:
Prisoner wrote:

While editors imagine that they always recognize talent, I think they're swayed by names more than they're aware of. It is a well known marketing effect that a Budweiser will taste better than Fred's beer, when so labelled, even if Budweiser is in both cans.


There's some truth to that. In an editors' panel at the last Worldcon, it was mentioned that frequent submitters' names get remembered, and attention is paid to their progress as writers. Editors talk among themselves, at some point there may even be some competition to see who gets to publish this potentially hot new writer first. But the quality has to be there.

I can't imagine Budweiser tasting better than anything. Wink

And of course, at WOTF your name isn't going to have any influence at all.
It's been said that the slush pile at most of these big magazines is huge (the number 4000 rings a bell for some reason.) I don't see how anyone is going to remember a submitter's name when there is that much competion. Further, my assumption is, for most slush readers, that they read one page, skim a couple after that, then give up. How else can F&SF get my sumbission (and everyone else's) back in less than 1 week?
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BrennanHarvey
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PostPosted: Tue Apr 21, 2009 7:44 am    Post subject: Reply with quote

Prisoner wrote:
At risk of thread drift...
too late.
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BrennanHarvey
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PostPosted: Tue Apr 21, 2009 7:46 am    Post subject: Reply with quote

Prisoner wrote:
I know of no other way to make it in Asimov's, F&SF, etc., than to submit often. A WOTF win wouldn't hurt either.

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Persistence. Every successful writer agrees it is an important quality.

Last edited by BrennanHarvey on Tue Apr 21, 2009 11:56 am; edited 1 time in total
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AMcCarter



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PostPosted: Tue Apr 21, 2009 8:45 am    Post subject: Reply with quote

I've said it before and I'll say it again. The plan is to submit to so many magazines so many times that they actually give my manuscript more than a glance over or they get so tired of seeing my name they give me a pity publish. Either way, I think it's a win.
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Prisoner



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PostPosted: Tue Apr 21, 2009 9:03 am    Post subject: Reply with quote

I read somewhere that they time slushers. If they can't process an envelope in two minutes they aren't hired. So, they probably read the first sentence and skim a page, maybe two if you're lucky.

For all we know, Gordon calls down to the bilge and says purge the slush without reading it, since he has known authors lined up for the next six months and he already likes two slush stories. If you're in that pile you have 0 chance. If you submit in six months, your chances are better.

Quote:
it was mentioned that frequent submitters' names get remembered, and attention is paid to their progress as writers.


I agree that slushers can't consciously remember 4k names. But they may subliminally register that they've seen a name quite a few times, especially if it is memorable like Hollingsworth Farquar. Come to think of it, I think I'll write under the pen name Tallula Adept Jericho, see where it gets me.

Of course there are ways to sway the WOTF slusher unconsciously without a name. I use dark courier, the slightest hint of coriander on the pages and my titles always have the word love in them.

What was this topic again?
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